Inspired by the geometric shapes of Italian design from the 1960s, the Bufala display is an invitation to return to childhood. Playful and geometric, this cheesy typeface really melts your heart. These monolinear strokes help to create rhythm and structure. Currently available in one weight, the Bufala will be released in Bufala Light and Bufala Fat. The different sets of alternates allow you to create logos and graphics as smooth as mozzarella.

Bufala-LightVF.ttf

J'ai assez de vices pour faire du bricolages

Punchline

Poem

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Titre 04

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Sale Type, Le petit manuel du mauvais typographe, so litteraly "Bad Type, the little guide to fail in type design".

It's a humorous and ironic guide to help the best of you fail at type design. It includes fake typography rules, encouragement to distort typography, incongruous character families, etc.

In short, it's a must-have manual for the uninhibited typographer.



Santiag is a contemporary western typeface. Inspired by the reversal of stress in the characters strokes of the mythic Italians typefaces from the 19th century. The typeface are a review of the genre by trying to push the geometric shape inside the counter form. Made by bold shape that which is related to serifs, the half circle are the key to create the rythm and the flavor of this type- face. The height of the base is oversized which gives a cartoon- ish feel to the whole Typography. 

SantiagVF.ttf

Lyrics

Britney is a super-mega-experimental-display-variable typeface.
Based on drawings and analogue animations made for the 36 Days of Type, this typeface questions the relations between type and motion designs, legibility and possibilities around variable technologies.

Britney comes with one legible sans-serif uppercase set and two eccentric-looking lowercase styles incorporating variable technology. In mixing all its different styles, Britney provides you with infinite possibilities to customise and create unique designs.

RLSBritneyVariableTrialVF.ttf

Song

Quote

Bad printing is a self-initiated project that aims to rethink our relationship to the production of printed materials. The series of posters raises questions about feasibility, means of production and printing know-how. 

The aim is to design visuals by experimenting with relief printing techniques. It is transcribed by the use of linocut, the composition of lead or wood typefaces, the general composition, also the use of other surfaces in relief.

This research is carried out on the proof presses of the London Centre for Book Arts.

Bad printing is a self-initiated project that aims to rethink our relationship to the production of printed materials. This series raises questions about feasibility, means of production and printing know-how. 
This project explores the means and possibilities of letterpress presses by engaging with the poster medium. 
The aim is to design visuals by experimenting with relief printing techniques. It is transcribed by the use of linocut, the composition of lead or wood typefaces, the general composition, but also the use of other surfaces in relief.
 
This research is carried out on the proof presses of the London Centre for Book Arts.

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Title Design and typeface for movie credit

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Antalis France asked to showcasing the REFIT Range as 100% organic from Favini Paper. 
We responded by creating an eco-friendly notebook using paper exclusively from the Refit range.
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The shape and design of the book were defined to reach zero waste: a single embossing tool was used and a brass die preferred over aluminium as it has a better waste recovery and is produced without chemicals. As well, the finish format of the press determined the size of the notebook to avoid any paper waste. ⁠Organic elements were also favoured : the cotton sewing threads are entirely natural, as is the ink of our own composition, from the marine environment.⁠

Inspired by Favini’s commitment to sustainability, the Atelier decided to produce a notebook with the least impact on the environment and revised its production and sourcing methods to fit with the new eco-conscious Refit range.⁠
⁠The shape and design of the book were defined to reach zero waste: a single embossing tool was used and a brass die preferred over aluminium as it has a better waste recovery and is produced without chemicals. As well, the finish format of the press determined the size of the notebook to avoid any paper waste.⁠
Furthermore, the reconditioned centenary Heidelberg press is energy-efficient and not subject to industrial obsolescence, limiting the carbon footprint of the project.⁠
⁠Organic elements were also favoured : the cotton sewing threads are entirely natural, as is the ink of our own composition, from the marine environment.⁠
⁠This project has enabled the Atelier to review its production methods by emphasizing on eco-thinking, which must go beyond the essential work of the craftsman today more than ever.⁠

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Barbican is a typeface family inspired by the brutalist architecture of the Barbican Centre in London.

This typeface allows for various applications due to the versatility of the family. The extensive family offers variable possibilities by working with 2 axes and 4 masters to interpolate between extreme widths and weights.

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Words

BarbicanVF.ttf

Concept proposal for Merchant’s Yard, a new property development.

This proposal was focused on a bespoke typeface playing with the width of each letter.
This full typeface creates various possibilities for the logo and helps with the clarity of the full branding.



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There is great pleasure in engaging with print projects, where the experience becomes tangible upon contact with a printed object. This encapsulates the essence of design—sensations, touch, and awareness through all the senses. 

Presented here is a curated selection of printed projects that have been brought to life.



Various design for Bulk classic     

Support: Business Card
Paper: Colorplan
Technique: Hot Foiling



Dot Studio 2022 Greeting Card


Supports: A6 Card + Envelop
Papers: Gmund Action + Colorplan
Techniques: Seven processes printing including Hot Foiling + Screen printing + Die cutting forms + Duplexing



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Personal Greeting Card 2022

Supports: A6 Card + Envelop
Papers: Lenticular Paper + Gmund Cotton  
Techniques: Lenticular side + Blind debossing + screenprinting + Duplexing



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Poster Collaboration x Louis Rodrigues

Support: 45x60cm Poster
Paper: Olin Natural 250gsm
Techniques: Letterpress printing + Blind emboss + Linocutting + Manual metal type setting



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Stationery for Birth Announcement

Supports: One fold A6 card + A6 Card + Envelop
Papers: Gmund Bier + Keaykolour 300gsm + Gmund transparent envelop 
Techniques: Hot Foiling + Blind Debossing + Screenprinting



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Personal Greeting Card 2020

Supports: A5 Card + Reflet + Envelop
Papers: Malmarque Blue + Caligraphic paper
Techniques: Duplexing + color edge + 6 layers of screenting + Scratch ink + Hand-stitched envelop



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Dot Studio Card

Support: A6 Card
Paper: Black paper 500gms
Technique: Screen printing



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abcdefghijklmnopqrstuvwxyzABCDEFFHIJKLMNOPQRSTUVWXYZ0123456789

Bakerie is a display typeface, designed with letterforms of contrasting widths. Fluid yet sharp, this typeface is inspired by the elegance of the art and type forms of the late 19th century. 

It's name references the changing curves of bread dough as it is kneaded, pushed and pulled into wonderful shapes. Its range of alternative letters and ligatures allow for inventive combinations, ideal for titles and logotypes.